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… nature photography, by an author whose intimate photographs of bird life have made him famous. 16 color plates and 82 other pictures.
| Volume IV | American Animals |
Is the only book which sums up in popular form the mass of new knowledge about American mammals which science has gathered during the last quarter of a century. By Witmer Stone and William Everitt Cram. The 80 full pages of pictures are marvellous feats of the camera, nearly all being photographed from life, generally of wild animals. There are also eight colored plates.
| Volume V | American Food and Game Fishes |
By David Starr Jordan and Barton W. Evermann, fills a longfelt need in popular scientific works, being a full account of the life-histories and methods of capture of North American food and game fish. With 10 lithographed color plates, 100 photographs of live fish in the water, and 200 text cuts.
| Volume VI | The Butterfly Book |
By Dr. W. J. Holland, who has introduced thousands of readers to the delightful study of butterflies and caterpillars. Its 48 color plates are the finest ever made by the three-color photographic process, and in these and the text cuts fully a thousand different species of butterflies are shown. There are chapters on the capture and preservation of butterflies.
| Volume VII | The Moth Book |
Also by Dr. Holland, takes up the subject of moths. There are 1,500 figures in the colored plates and 300 text cuts of the moths of North America.
| Volume VIII | The Insect Book |
By Dr. L. O. Howard, treats of bees, wasps, ants, grasshoppers, flies, and other North American insects, admirably suited to the general reader. It has 16 color plates and 32 black-and-white, all photographed from the insects themselves, besides nearly 300 text cuts.
| Volume IX | Nature’s Garden |
By Neltje Blanchan, enables any one to identify all the common wild flowers of the North American continent, and introduces the reader to their marvellous life-histories and the part which insects play in these. Illustrations: 32 color plates and 48 black-and-white, all from photographs of the actual flower.
